In my career I rarely chose the most direct path. Usually the one that interested me most.
While studying German and English literature and philosophy at the University of Cologne, I wanted to understand how stories work. What moves people. Why some thoughts stay while others vanish instantly. And how language can change our perception.
I studied the great thinkers, philosophers and writers of our intellectual and cultural history and learned how much social and cultural meaning language and values can carry. And I fell in love with the beauty of language: the aesthetics of a precisely placed sentence that says more than any explanation.
At the same time, I was fascinated by the visual world. Images, aesthetics, design, the art of staging. I didn’t want to choose between content and form. I was always interested in both.
So I got to know different media worlds. In the culture department of WDR television, later as a fashion and lifestyle editor in Munich for ELLE, GLAMOUR and myself. I experienced how a good idea becomes a story, how to sharpen a topic journalistically and how much work goes into a publication that in the end looks effortless.
Later I moved into brand communication, worked with companies at agencies such as fischerAppelt and Meiré und Meiré and immersed myself in premium brand staging and luxury branding. As Head of Marketing, I eventually rebuilt the marketing of a Berlin tech company from the ground up.
The great international magazine brands shaped me in particular. Publications like VOGUE, AD or GLAMOUR show how powerful the interplay of journalistic substance, visual quality and a distinctive point of view can be.
A good magazine doesn’t just inform. It opens up a world.
That principle still fascinates me today – in brand development too.














